Sex and Terror

Pascal Quignard

Arts & Literature

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The fascinus, or phallus, was at the heart of classical Roman art and life. No god was more represented in ancient Rome than the phallic deity Priapus, and the fescennine verses, one of the earliest forms of Roman poetry, accompanied the celebrations of Priapus, the harvest, and fertility. But with this emphasis on virility also came an emphasis on power and ideas of possession and protection. In Sex and Terror, Pascal Quignard looks closely at this delicate interplay of celebration and terror. In startling and original readings of myths, satires, memoirs, and works of ancient philosophy and visual art, Quignard locates moments of both playful, aesthetic commemoration and outward cruelty. Through these examples, he describes a colossal cultural shift within Western civilization that occurred two millennia ago, as Augustus shaped the Roman world into an empire and the joyous, precise eroticism of the Greeks turned into a terror-stricken melancholy. The details of this revolution in thinking are revealed through Quignard’s astute analysis of classical literary sources and Roman art.

Pascal Quignard

Pascal Quignard (born 23 April 1948) is a French writer born in Verneuil-sur-Avre, Eure. In 2002 his novel Les Ombres errantes won the Prix Goncourt, France's top literary prize.[1] Terrasse à Rome (Terrasse in Rome), received the French Academy prize in 2000. In 1980 Carus had been awarded the "Prix des Critiques". Among Quignard's most commented-upon works are his eighty-four "Little Treatises", first published in 1991 by Maeght. But his most popular book is probably Tous les matins du monde (All the Mornings in the World), about 17th-century viola de gamba player Marin Marais and his teacher, Sainte-Colombe, which was adapted for the screen in 1991, by director Alain Corneau. Quignard wrote the screenplay of the film, in collaboration with Corneau. Tous les matins du monde, starring Jean-Pierre Marielle, Gérard Depardieu and son Guillaume Depardieu, was a tremendous success in France and sold 2 million tickets in the first year. It was subsequently distributed in 31 countries, and released in 1992 in the United States. The soundtrack was certified platinum (500,000 copies) and contributed to musician Jordi Savall’s international celebrity. Quignard has also translated works from the Latin (Porcius Latro), Chinese (Kong-souen Long), and Greek