Acting Stanislavski : A Practical Guide to Stanislavskis Approach and Legacy

John Gillett

Drama

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Stanislavski was the first to outline a systematic approach for using our experience, imagination and observation to create truthful acting. 150 years after his birth, his approach is more widely embraced and taught throughout the world – but is still often rejected, misunderstood and misapplied. In Acting Stanislavski, John Gillett offers a clear, accessible and comprehensive account of the Stanislavski approach, from the actor’s training to final performance, exploring: ease and focus the nature of action, interaction and objectives the imaginary reality, senses and feeling active analysis of text physical and vocal expression of character the actor in the context of training and the industry. Drawing on Stanislavski’s major books, in both English translations, and on records of his directing process and final studio classes, Acting Stanislavski demystifies terms and concepts. It is for actors from an actor’s point of view, and offers many practical exercises and examples as an integrated part of each subject. Acting Stanislavski also creates an up-to-date overview of the Stanislavski approach, connecting his legacy with the work of his successors, from Michael Chekhov to Meisner, Adler and Strasberg. A new, extended and fully updated edition of Acting on Impulse: Reclaiming the Stanislavski Approach (Methuen Drama, 2007), Acting Stanislavski now includes new exercises and biographies, a further chapter on The Character, and an expanded glossary along with many other additions to the previous chapters. It is an essential practical and educational resource for any acting student, professional or teacher

John Gillett

John Gillett John Gillett (1925–1995)[a] was a British film critic and researcher whose career at the British Film Institute spanned over 44 years.[1] He was also a programmer for the National Film Theatre on the works of Buster Keaton, early Russian cinema and Japanese cinema, to name a few.[1][2] He wrote film reviews for The Monthly Film Bulletin.[3][4] With Ian Christie, he edited Futurism/Formalism/FEKS: 'Eccentrism' and Soviet Cinema 1918-1936.[5] He was also an editor of Yasujiro Ozu: A Critical Anthology, with David Wilson.[6] He served on the international jury at the successful 15th Berlin International Film Festival in 1965[7] and as jury member in July 1994 at the 29th Karlovy Vary International Film Festival.[8] In June 1995 he received an MBE for services to the British Film Institute. That same year he was awarded the Japanese Order of the Sacred Treasure, Gold Rays with Rosette as recognition of his contribution to the appreciation of Japanese film and filmmakers. The certificate is just one of the items which form part of the John Gillett collection held by the British Film Institute

Title	Acting Stanislavski : A Practical Guide to Stanislavskis Approach and Legacy
Author	John Gillett
Publisher	Bloomsbury Publishing Plc
Language	English (US)
Category	Drama