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Indian Kavya Literature Vol. 1

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Indian Kavya Literature Vol. 1

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Indian Kavya Literature is planned in eight volumes as a comprehensive study of literature (kavya) in the literary criticism of that same tradition. Surprising as it may seem, Indian literature has not till now been presented from this obvious, natural and necessary point of view in any modern language, except in a limited and primarily bibliographical manner by Krishnamachariar in his history of Classical Sanskrit Literature (1937). Instead, Indian literature has been misrepresented and misjudged from a narrowly European and therefore quite alien and unhelpful, standpoint in the modern works on it widely accepted as 'standard'. It is exceedingly odd that even several modern Indian writers have performed the feat of adopting this alienated and distant view, diminishing Indian culture in the midst of the struggle for Indian freedom from colonialism. The present work is intended to restore Indian literature to independence and to India, as a step towards that freedom from spiritual colonialism which India has yet to attain. But the method of presentation here involves no political discussions and is very simple and straightforward: the aim is the enjoyment of the literature as it was meant to be enjoyed. The first volume prepares the way for the enjoyment of Indian literature by presenting Indian literary criticism, thus clarifying the techniques and aims of Indian writers. This criticism includes the various aesthetic theories as to the nature of the enjoyment of literature by readers and audiences, the techniques of dramaturgy and poetics where by this enjoyment is created, the nature of the literary genres (drama, epic, the novel, etc.) and a sketch of the milieu of the

A.K. Warder

A.K. Warder Anthony Kennedy Warder (8 September 1924 – 8 January 2013) was a British Indologist. His best-known works are Introduction to Pali (1963), Indian Buddhism (1970), and the eight-volume Indian Kāvya Literature (1972–2011). He studied Sanskrit and Pali at the School of Oriental and African Studies, and received his doctorate from there in 1954. His thesis, supervised by John Brough, was entitled Pali Metre: A Study of the Evolution of Early Middle Indian Metre Based on the Verse Preserved in the Pali Canon. (When it was published in 1967, the title was changed to Pali Metre: A Contribution to the History of Indian Literature.) For a number of years, he was an active member of the Pali Text Society, which published his first book, Introduction to Pali, in 1963. He based his popular primer on extracts from the Dīgha Nikāya, and took the then revolutionary step of treating Pali as an independent language, not just a derivative of Sanskrit. His began his academic career at the University of Edinburgh in 1955, but in 1963 moved to the University of Toronto. There, as Chairman of the Department of East Asian Studies, he built up a strong programme in Sanskrit and South Asian studies. He retired in 1990. Studies on Buddhism in Honour of Professor A. K. Warder was published in 1993, edited by Narendra K. Wagle and Fumimaro Watanabe. He and his wife, Nargez, died of natural causes almost simultaneously on 8 January 2013. He was eighty-eight, and she was ninety. They had no children. They were buried together following a Buddhist service,

Title

Indian Kavya Literature Vol. 1

Author

A.K. Warder

Publisher

Motilal Banarsidass Publishers Pvt. Ltd.

Category

  • Literary Criticism
  • Indian Kavya Literature is planned in eight volumes as a comprehensive study of literature (kavya) in the literary criticism of that same tradition. Surprising as it may seem, Indian literature has not till now been presented from this obvious, natural and necessary point of view in any modern language, except in a limited and primarily bibliographical manner by Krishnamachariar in his history of Classical Sanskrit Literature (1937). Instead, Indian literature has been misrepresented and misjudged from a narrowly European and therefore quite alien and unhelpful, standpoint in the modern works on it widely accepted as 'standard'. It is exceedingly odd that even several modern Indian writers have performed the feat of adopting this alienated and distant view, diminishing Indian culture in the midst of the struggle for Indian freedom from colonialism. The present work is intended to restore Indian literature to independence and to India, as a step towards that freedom from spiritual colonialism which India has yet to attain. But the method of presentation here involves no political discussions and is very simple and straightforward: the aim is the enjoyment of the literature as it was meant to be enjoyed. The first volume prepares the way for the enjoyment of Indian literature by presenting Indian literary criticism, thus clarifying the techniques and aims of Indian writers. This criticism includes the various aesthetic theories as to the nature of the enjoyment of literature by readers and audiences, the techniques of dramaturgy and poetics where by this enjoyment is created, the nature of the literary genres (drama, epic, the novel, etc.) and a sketch of the milieu of the
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