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Badal Sircar : Towards A Theatre of Conscience

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Badal Sircar : Towards A Theatre of Conscience

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The first full-length study of Badal Sircar, who brought theatre to the streets and to the masses in India! Badal Sircar (1925-2011) is one of the most important and influential figures in the history of post-independence Indian theatre. As a playwright, he contributed seminal texts which have inspired the country's leading directors and continue to be produced by younger groups. In terms of form, he was responsible for Third (later called Free) Theatre, an urban theatre which was alternative, non-proscenium, mobile and very physical. As a theorist and philosopher of Indian theatre, he opened up the discourse to include concerns with democratic human interaction and a search for a more just and equitable society. As a teacher and mentor, he traveled widely across the country holding workshops which had a deep impact on hundreds of theatre workers, including some major directors. This book is a full-length, detailed study of Badal Sircar's life and work, with its three distinct phases: the playwriting for the proscenium stage, with path-breaking texts like Evam Indrajit, Pagla Ghoda and Baki Itihas; the departure to non-proscenium physical theatre focused on the actor, with its social critique and commitment to conscientisation; and the dissemination phase of extensive workshops and mentoring.

Anjum Katyal

Anjum Katyal has been the Chief Editor, Seagull Books, Calcutta (1987–2006) and Editor, Seagull Theatre Quarterly (1994–2004), as well as the Web Editor, Saregama-HMV (2006–11) and Editor, Art and the City, a web magazine on the contemporary arts in India (2010–13).

Title

Badal Sircar : Towards A Theatre of Conscience

Author

Anjum Katyal

Publisher

Sage Publications

Number of Pages

266

Category

  • Theatre
  • First Published

    JAN 2015

    The first full-length study of Badal Sircar, who brought theatre to the streets and to the masses in India! Badal Sircar (1925-2011) is one of the most important and influential figures in the history of post-independence Indian theatre. As a playwright, he contributed seminal texts which have inspired the country's leading directors and continue to be produced by younger groups. In terms of form, he was responsible for Third (later called Free) Theatre, an urban theatre which was alternative, non-proscenium, mobile and very physical. As a theorist and philosopher of Indian theatre, he opened up the discourse to include concerns with democratic human interaction and a search for a more just and equitable society. As a teacher and mentor, he traveled widely across the country holding workshops which had a deep impact on hundreds of theatre workers, including some major directors. This book is a full-length, detailed study of Badal Sircar's life and work, with its three distinct phases: the playwriting for the proscenium stage, with path-breaking texts like Evam Indrajit, Pagla Ghoda and Baki Itihas; the departure to non-proscenium physical theatre focused on the actor, with its social critique and commitment to conscientisation; and the dissemination phase of extensive workshops and mentoring.
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