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Death of a Salesman (PMC)

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800.00 ৳


হ্যান্ড রাইটিং সেট ( ৫ বইয়ের সেট )
হ্যান্ড রাইটিং সেট ( ৫ বইয়ের সেট )
560.00 ৳
560.00 ৳
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Death of a Salesman (PMC)

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800.00 ৳ 800.0 BDT 800.00 ৳

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In the spring of 1948 Arthur Miller retreated to a log cabin in Connecticut with the first two lines of a new play already fixed in his mind. He emerged six weeks later with the final script of Death of a Salesman - a painful examination of American life and consumerism. Opening on Broadway the following year, Miller's extraordinary masterpiece changed the course of modern theatre. In creating Willy Loman, his destructively insecure anti-hero, Miller himself defined his aim as being 'to set forth what happens when a man does not have a grip on the forces of life.'

Arthur Miller

Arthur Miller (October 17, 1915 – February 10, 2005) was an American playwright and essayist in the 20th-century American theater. Among his most popular plays are All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), and A View from the Bridge (1955, revised 1956). He wrote several screenplays and was most noted for his work on The Misfits (1961). The drama Death of a Salesman has been numbered on the short list of finest American plays in the 20th century. Miller was often in the public eye, particularly during the late 1940s, 1950s and early 1960s. During this time, he was awarded a Pulitzer Prize for Drama, testified before the House Un-American Activities Committee, and married Marilyn Monroe. In 1980, Miller received the St. Louis Literary Award from the Saint Louis University Library Associates. He received the Prince of Asturias Award, the Praemium Imperiale prize in 2002 and the Jerusalem Prize in 2003,[3] as well as the Dorothy and Lillian Gish Prize in 1999

Title

Death of a Salesman (PMC)

Author

Arthur Miller

Language

English (US)

Category

  • Penguin Modern Classic
  • In the spring of 1948 Arthur Miller retreated to a log cabin in Connecticut with the first two lines of a new play already fixed in his mind. He emerged six weeks later with the final script of Death of a Salesman - a painful examination of American life and consumerism. Opening on Broadway the following year, Miller's extraordinary masterpiece changed the course of modern theatre. In creating Willy Loman, his destructively insecure anti-hero, Miller himself defined his aim as being 'to set forth what happens when a man does not have a grip on the forces of life.'
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