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Do Not Say We Have Nothing

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Before Memory Fades : an autobiography
Before Memory Fades : an autobiography
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900.00 ৳
ঠাকুরবাড়ির লেখা
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Do Not Say We Have Nothing

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SHORTLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2017 SHORTLISTED FOR THE MAN BOOKER PRIZE 2016 WINNER OF THE SCOTIABANK GILLER PRIZE 2016 SHORTLISTED FOR THE PARAGRAPHE HUGH MACLENNAN PRIZE FOR FICTION 2016. In Canada in 1991, ten-year-old Marie and her mother invite a guest into their home: a young woman who has fled China in the aftermath of the Tiananmen Square protests. Her name is Ai-Ming. As her relationship with Marie deepens, Ai-Ming tells the story of her family in revolutionary China, from the crowded teahouses in the first days of Chairman Mao's ascent to the Shanghai Conservatory in the 1960s and the events leading to the Beijing demonstrations of 1989. It is a history of revolutionary idealism, music, and silence, in which three musicians, the shy and brilliant composer Sparrow, the violin prodigy Zhuli, and the enigmatic pianist Kai struggle during China's relentless Cultural Revolution to remain loyal to one another and to the music they have devoted their lives to. Forced to re-imagine their artistic and private selves, their fates reverberate through the years, with deep and lasting consequences for Ai-Ming - and for Marie. Written with exquisite intimacy, wit and moral complexity, Do Not Say We Have Nothing magnificently brings to life one of the most significant political regimes of the 20th century and its traumatic legacy, which still resonates for a new generation. It is a gripping evocation of the persuasive power of revolution and its effects on personal and national identity, and an unforgettable meditation on China today.

Madeleine Thien

Madeleine Thien (born 1974) is a Canadian short story writer and novelist. The Oxford Handbook of Canadian Literature has considered her work as reflecting the increasingly trans-cultural nature of Canadian literature, exploring art, expression and politics inside Cambodia and China, as well as within diasporic Asian communities. Thien's critically acclaimed novel, Do Not Say We Have Nothing, won the 2016 Governor General's Award for English-language fiction, the Scotiabank Giller Prize, and the Edward Stanford Travel Writing Awards for Fiction. It was shortlisted for the 2016 Man Booker Prize, the 2017 Baileys Women's Prize for Fiction, and the 2017 Rathbones Folio Prize. Her books have been translated into more than 25 languages

Title

Do Not Say We Have Nothing

Author

Madeleine Thien

Publisher

Granta Publication

Number of Pages

473

Language

English (US)

Category

  • Fiction
  • First Published

    JAN 2017

    SHORTLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2017 SHORTLISTED FOR THE MAN BOOKER PRIZE 2016 WINNER OF THE SCOTIABANK GILLER PRIZE 2016 SHORTLISTED FOR THE PARAGRAPHE HUGH MACLENNAN PRIZE FOR FICTION 2016. In Canada in 1991, ten-year-old Marie and her mother invite a guest into their home: a young woman who has fled China in the aftermath of the Tiananmen Square protests. Her name is Ai-Ming. As her relationship with Marie deepens, Ai-Ming tells the story of her family in revolutionary China, from the crowded teahouses in the first days of Chairman Mao's ascent to the Shanghai Conservatory in the 1960s and the events leading to the Beijing demonstrations of 1989. It is a history of revolutionary idealism, music, and silence, in which three musicians, the shy and brilliant composer Sparrow, the violin prodigy Zhuli, and the enigmatic pianist Kai struggle during China's relentless Cultural Revolution to remain loyal to one another and to the music they have devoted their lives to. Forced to re-imagine their artistic and private selves, their fates reverberate through the years, with deep and lasting consequences for Ai-Ming - and for Marie. Written with exquisite intimacy, wit and moral complexity, Do Not Say We Have Nothing magnificently brings to life one of the most significant political regimes of the 20th century and its traumatic legacy, which still resonates for a new generation. It is a gripping evocation of the persuasive power of revolution and its effects on personal and national identity, and an unforgettable meditation on China today.
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