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Bitter Fruit : The Very Best Of Saadat Hasan Manto

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সোফির জগৎ (ইয়স্তেন গার্ডার) (সংহতি)
সোফির জগৎ (ইয়স্তেন গার্ডার) (সংহতি)
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New Concise Larousse Gastronomique
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Bitter Fruit : The Very Best Of Saadat Hasan Manto

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The most widely read and the most translated writer in Urdu, Saadat Hasan Manto constantly challenged the hypocrisy and sham morality of civilized society. Out of this rebellious streak, and fuelled by the burning restlessness of his imagination, he produced a powerful body of work that continues to challenge complacency and demand attention. More than half a century after his death at the age of forty-three in Lahore, he remains anathema to the establishment. Saadat Hasan Manto wanted to be remembered as the greatest short-story writer ever; as his epitaph would have it, his only competitor is God. Indeed, he is best known for his Partition stories, where he lays bare the absurdity of the religious divide that would forever unhinge the lives of two nations. No other writer has been able to capture the devastation of Partition as Manto has. But, as this exhaustive anthology shows, Manto’s best work sweeps across genres and states of mind. The short stories shock and seduce, the sketches wring out the sharp brevity of truth, the biographical portraits entice with their candor, the letters to Uncle Sam drip with sarcasm; while the lone play smolders with desire that finds fulfillment in death. Manto also gives us his take on the Bombay film world of his time. This collection also carries intimate observations about Manto by his family and friends. Khalid Hasan’s brilliant translation brings to English Manto’s bite, his lyricism and the authenticity of his voice. MANTO’S PRAYER: Dear God, master of the universe, compassionate and merciful: we who are steeped in sin, kneel in supplication before your throne and beseech you to recall from this world Saadat Hasan Manto, son of Ghulam Hasan Manto, who was a man of great piety. Take him away, Lord, for he runs away from fragrance and chases after filth. He hates the bright sun, preferring dark labyrinths. He has nothing but contempt for modesty but is fascinated by the naked and the shameless.

সাদান হাসান মান্টো

Saadat Hasan Manto (11 May 1912 – 18 January 1955) was a writer, playwright and author born in Ludhiana active in British India and later, after the partition, in Pakistan. Writing mainly in the Urdu language, he produced 22 collections of short stories, a novel, five series of radio plays, three collections of essays and two collections of personal sketches. His best short stories are held in high esteem by writers and critics. Manto was known to write about the hard truths of society that no one dared to talk about. He is best known for his stories about the partition of India, which he opposed, immediately following independence in 1947. Manto was tried for obscenity six times; thrice before 1947 in British India, and thrice after independence in 1947 in Pakistan, but was never convicted. He is acknowledged as one of the finest 20th century Urdu writers and is the subject of two biographical films: Manto, directed by Sarmad Khoosat and the 2018 film Manto, directed by Nandita Das

Title

Bitter Fruit : The Very Best Of Saadat Hasan Manto

Author

সাদান হাসান মান্টো

Number of Pages

708

Language

English (US)

Category

  • Anthology
  • First Published

    JAN 2008

    The most widely read and the most translated writer in Urdu, Saadat Hasan Manto constantly challenged the hypocrisy and sham morality of civilized society. Out of this rebellious streak, and fuelled by the burning restlessness of his imagination, he produced a powerful body of work that continues to challenge complacency and demand attention. More than half a century after his death at the age of forty-three in Lahore, he remains anathema to the establishment. Saadat Hasan Manto wanted to be remembered as the greatest short-story writer ever; as his epitaph would have it, his only competitor is God. Indeed, he is best known for his Partition stories, where he lays bare the absurdity of the religious divide that would forever unhinge the lives of two nations. No other writer has been able to capture the devastation of Partition as Manto has. But, as this exhaustive anthology shows, Manto’s best work sweeps across genres and states of mind. The short stories shock and seduce, the sketches wring out the sharp brevity of truth, the biographical portraits entice with their candor, the letters to Uncle Sam drip with sarcasm; while the lone play smolders with desire that finds fulfillment in death. Manto also gives us his take on the Bombay film world of his time. This collection also carries intimate observations about Manto by his family and friends. Khalid Hasan’s brilliant translation brings to English Manto’s bite, his lyricism and the authenticity of his voice. MANTO’S PRAYER: Dear God, master of the universe, compassionate and merciful: we who are steeped in sin, kneel in supplication before your throne and beseech you to recall from this world Saadat Hasan Manto, son of Ghulam Hasan Manto, who was a man of great piety. Take him away, Lord, for he runs away from fragrance and chases after filth. He hates the bright sun, preferring dark labyrinths. He has nothing but contempt for modesty but is fascinated by the naked and the shameless.
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