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Staging Resistance : Plays by Women, In Translation

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Staging Resistance : Plays by Women, In Translation

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This is the first major anthology of plays written by women in translation. It represents a very significant intervention of gender in the discourse of Indian theatre, it draws attention to the possibilities of renewal and re-invigoration of the theatre environment through the work of women playwrights. It includes 12 hitherto unpublished plays from major Indian languages including Tamil, Telugu, Malayalam, Kannada, Marathi, Gujarati, Punjabi, Hindi, Urdu and Bengali translated into English, making them available to a wider readership. It focuses on formulating a womanist dramaturgy that seeks new "perspectivism" and a return to ritual and celebration to articulate women's experiences. Each text is accompanied by an outline of the scenario of the regional drama activity, a brief biographical sketch of the playwright, a glossary and an index. No anthology of women's plays has been published to date. Also this is the first time that a book length theoretical exposition of women's dramaturgy is being attempted.

Title

Staging Resistance : Plays by Women, In Translation

Author

Tutun Mukherjee

Publisher

Oxford University Press, India

Number of Pages

548

Language

English (US)

Category

  • Drama
  • First Published

    JAN 2005

    This is the first major anthology of plays written by women in translation. It represents a very significant intervention of gender in the discourse of Indian theatre, it draws attention to the possibilities of renewal and re-invigoration of the theatre environment through the work of women playwrights. It includes 12 hitherto unpublished plays from major Indian languages including Tamil, Telugu, Malayalam, Kannada, Marathi, Gujarati, Punjabi, Hindi, Urdu and Bengali translated into English, making them available to a wider readership. It focuses on formulating a womanist dramaturgy that seeks new "perspectivism" and a return to ritual and celebration to articulate women's experiences. Each text is accompanied by an outline of the scenario of the regional drama activity, a brief biographical sketch of the playwright, a glossary and an index. No anthology of women's plays has been published to date. Also this is the first time that a book length theoretical exposition of women's dramaturgy is being attempted.
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