Air Raid

Alexander Kluge

History-M

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On April 8, 1945, several American bomber squadrons were informed that their German targets were temporarily unavailable due to cloud cover. As it was too late to turn back, the assembled ordnance of more than two hundred bombers was diverted to nearby Halberstadt. A midsized cathedral town of no particular industrial or strategic importance, Halberstadt was almost totally destroyed, and a then-thirteen-year-old Alexander Kluge watched his town burn to the ground. Translated by Martin Chalmers, Kluge's Air Raid is a touchstone event in German literature of the postwar era. Incorporating photographs, diagrams, and drawings, Kluge captures the overwhelming rapidity and totality of the organized destruction of his town from numerous perspectives, bringing to life both the strategy from above and the futility of the response on the ground. Originally published in German in 1977, this exquisite report, fragmentary and unfinished, is one of Kluge's most personal works and one of the best examples of his literary technique. Now available for the first time in English, Air Raid appears with additional new stories by the author and features an appreciation of the work by W. G. Sebald.

Alexander Kluge

Alexander Kluge (born 14 February 1932) is a German author, philosopher, academic and film director. Kluge directed his first film in 1960, Brutality in Stone, a twelve-minute, black and white, lyrical montage work which, against the German commercial (Papa's Kino) cinematic amnesia of the prior decade, inaugurated an exploration of the Nazi past. The film premièred in 1961 at what would become the showcase for the new generation of German filmmakers, the Westdeutsche Kurzfilmtage (now known as the International Short Film Festival Oberhausen) in Oberhausen, Germany. Kluge was one of twenty-six signatories to the Oberhausen Manifesto of 1962, which marked the launch of the New German Cinema. That same year, with filmmakers Edgar Reitz and Detlev Schleiermacher, Kluge established the Ulm Institut für Filmgestaltung, to promote the critical and aesthetic practices of Young German Film and the New German Cinema. In 1965 he was a member of the jury at the 15th Berlin International Film Festival. He has gone on to direct a number of films which have an inherent critique of comm