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The China Sketchbook

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1,100.00 ৳


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The China Sketchbook

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1,100.00 ৳ 1100.0 BDT 1,100.00 ৳

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A camera makes enemies; a sketchbook, friends. Firm in this belief, Irwin Allan Sealy carried to China just his pen and a book of blank pages. When the literary conference that took him there ended and his fellow writers returned to India, Sealy stayed on to travel the railroads of the north in search of a town reminiscent of his Himalayan hometown and a man who might resemble himself. Sign language, good will, and plain luck see him through, but in a northern mining town known for its ancient Buddhist cave sculptures, Sealy finally comes to the conclusion that his other was unreachable, his hometown was one of a kind, and his only hope was a pen, allowing him to record his memories, sketches, and adventures along the way. Sealy is known for both his fiction and his travelogue From Yukon to Yukatan: A Western Journey. This facsimile edition of The China Sketchbook, however, adds a special dimension to a travel narrative—the sketches and scribbles give readers a more immediate and unrestrained insight into the mind of a very fine writer and chart an unusual and quirky travel diary.

I. Allan Sealy

Irwin Allan Sealy (born 1951) is an Indian writer. His novel The Everest Hotel: A Calendar was shortlisted for the 1998 Booker prize. Allan was born in Allahabad and he went to La Martiniere School in Lucknow and then on to St. Stephen's College, Delhi University.[2] He has worked in Canada, the USA, New Zealand and Australia.[citation needed] His first novel The Trotter Nama was published in 1988 and tells the story of seven generations of an Anglo-Indian family. He now lives in Dehradun, Uttarakhand

Title

The China Sketchbook

Author

I. Allan Sealy

Publisher

Seagull Books

Number of Pages

148

Language

English (US)

Category

  • Art
  • First Published

    JAN 2016

    A camera makes enemies; a sketchbook, friends. Firm in this belief, Irwin Allan Sealy carried to China just his pen and a book of blank pages. When the literary conference that took him there ended and his fellow writers returned to India, Sealy stayed on to travel the railroads of the north in search of a town reminiscent of his Himalayan hometown and a man who might resemble himself. Sign language, good will, and plain luck see him through, but in a northern mining town known for its ancient Buddhist cave sculptures, Sealy finally comes to the conclusion that his other was unreachable, his hometown was one of a kind, and his only hope was a pen, allowing him to record his memories, sketches, and adventures along the way. Sealy is known for both his fiction and his travelogue From Yukon to Yukatan: A Western Journey. This facsimile edition of The China Sketchbook, however, adds a special dimension to a travel narrative—the sketches and scribbles give readers a more immediate and unrestrained insight into the mind of a very fine writer and chart an unusual and quirky travel diary.
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