30 April 1945

Alexander Kluge

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The day 30 April 1945 marked an end of sorts in the Third Reich. The last business day before a national holiday and then a series of transfers of power, 30 April was a day filled with contradictions and bewildering events that would for ever define global history. It was on this day that while the Red Army occupied Berlin, Hitler committed suicide in his underground bunker, and, in San Francisco, the United Nations was being founded. Alexander Kluge’s latest book covers this single historic day and unravels its passing hours across the different theaters of the Second World War. The book delves into the events happening around the world on one fateful day, including life in a small German town occupied by American forces and the story of two SS officers stranded on the forsaken Kerguelen Islands in the South Indian Sea. Kluge is a master storyteller, and as he unfolds these disparate tales, one unavoidable question surfaces: What is the appropriate reaction to the total upheaval of the status quo? Presented here with an additional texts by Reinhard Jirgl, 30 April 1945 is a riveting collection of lives turned upside down by the deadliest war in history. The collective experiences Kluge paints here are jarring, poignant, and imbued with meaning. Seventy years later, we can still see our own reflections in the upheaval of a single day in 1945

Alexander Kluge

Alexander Kluge (born 14 February 1932) is a German author, philosopher, academic and film director. Kluge directed his first film in 1960, Brutality in Stone, a twelve-minute, black and white, lyrical montage work which, against the German commercial (Papa's Kino) cinematic amnesia of the prior decade, inaugurated an exploration of the Nazi past. The film premièred in 1961 at what would become the showcase for the new generation of German filmmakers, the Westdeutsche Kurzfilmtage (now known as the International Short Film Festival Oberhausen) in Oberhausen, Germany. Kluge was one of twenty-six signatories to the Oberhausen Manifesto of 1962, which marked the launch of the New German Cinema. That same year, with filmmakers Edgar Reitz and Detlev Schleiermacher, Kluge established the Ulm Institut für Filmgestaltung, to promote the critical and aesthetic practices of Young German Film and the New German Cinema. In 1965 he was a member of the jury at the 15th Berlin International Film Festival. He has gone on to direct a number of films which have an inherent critique of comm