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December : 39 Stories

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1,200.00 ৳


লোককবিতায় বঙ্গবন্ধু ২ খণ্ডে একত্রে
লোককবিতায় বঙ্গবন্ধু ২ খণ্ডে একত্রে
1,500.00 ৳
1,500.00 ৳
Brave New World (Vintage)
Brave New World (Vintage)
1,000.00 ৳
1,000.00 ৳

December : 39 Stories

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In the historic tradition of Calendar stories and Calendar illustrations, author and film director Alexander Kluge and celebrated visual artist Gerhard Richter have composed december, a collection of thirty-nine stories and thirty-nine snow-swept photographs for the darkest month of the year. In stories drawn from modern history and the contemporary moment, from mythology, and even from meteorology, Kluge toys as readily with time and space as he does with his characters. In the narrative entry for December 1931, Adolf Hitler avoids a car crash by inches. In another, we relive Greek financial crises. There are stories where time accelerates, and others in which it seems to slow to the pace of falling snow. In Kluge’s work, Power seems only to erode and decay, never grow, and circumstances always seem to elude human control. When a German commander outside Moscow in December of 1941 remarks, “we don’t need weapons to fight the Russians but a weapon to fight the weather,” The futility of his struggle is painfully present. Accompanied by the ghostly and wintry forest scenes captured in Gerhard Richter photographs, these stories have an alarming density, one that gives way at unexpected moments to open Vistas and narrative clarity. Within these pages, the lessons are perhaps not as comforting as in the old Calendar stories, but the subversive moralities are always instructive and perfectly executed.

Alexander Kluge

Alexander Kluge (born 14 February 1932) is a German author, philosopher, academic and film director. Kluge directed his first film in 1960, Brutality in Stone, a twelve-minute, black and white, lyrical montage work which, against the German commercial (Papa's Kino) cinematic amnesia of the prior decade, inaugurated an exploration of the Nazi past. The film premièred in 1961 at what would become the showcase for the new generation of German filmmakers, the Westdeutsche Kurzfilmtage (now known as the International Short Film Festival Oberhausen) in Oberhausen, Germany. Kluge was one of twenty-six signatories to the Oberhausen Manifesto of 1962, which marked the launch of the New German Cinema. That same year, with filmmakers Edgar Reitz and Detlev Schleiermacher, Kluge established the Ulm Institut für Filmgestaltung, to promote the critical and aesthetic practices of Young German Film and the New German Cinema. In 1965 he was a member of the jury at the 15th Berlin International Film Festival. He has gone on to direct a number of films which have an inherent critique of comm

Title

December : 39 Stories

Author

Alexander Kluge , Gerhard Richter

Publisher

Seagull Books

Number of Pages

118

Language

English (US)

Category

  • Fiction
  • First Published

    FEB 2021

    In the historic tradition of Calendar stories and Calendar illustrations, author and film director Alexander Kluge and celebrated visual artist Gerhard Richter have composed december, a collection of thirty-nine stories and thirty-nine snow-swept photographs for the darkest month of the year. In stories drawn from modern history and the contemporary moment, from mythology, and even from meteorology, Kluge toys as readily with time and space as he does with his characters. In the narrative entry for December 1931, Adolf Hitler avoids a car crash by inches. In another, we relive Greek financial crises. There are stories where time accelerates, and others in which it seems to slow to the pace of falling snow. In Kluge’s work, Power seems only to erode and decay, never grow, and circumstances always seem to elude human control. When a German commander outside Moscow in December of 1941 remarks, “we don’t need weapons to fight the Russians but a weapon to fight the weather,” The futility of his struggle is painfully present. Accompanied by the ghostly and wintry forest scenes captured in Gerhard Richter photographs, these stories have an alarming density, one that gives way at unexpected moments to open Vistas and narrative clarity. Within these pages, the lessons are perhaps not as comforting as in the old Calendar stories, but the subversive moralities are always instructive and perfectly executed.
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