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History Through The Lens : Perspectives on South Indian Cinema

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History Through The Lens : Perspectives on South Indian Cinema

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Theodore Baskaran weaves the magic and matter of South Indian films into a rich tapestry of readable essays. They cover such topics as early cinema in the south, trade unionism in South Indian film industry, and the need for historicizing southern cinema. Baskaran also investigates how Tamil cinema is struggling to get free from the legacy of company drama and the persistence of stage features. While his sharper focus rests on Tamil cinema, this collection will interest historians and students of Indian film, and the general readers who look for a sprightly introduction to the world of South Indian films. Chapter titles include. Cinema as a source material for history, Cinema house as public space, Adaptations from literature.

S Theodore Baskaran

S Theodore Baskaran In this Indian name, the name Sundararaj is a patronymic, and the person should be referred to by the given name, Theodore Baskaran. Sundararaj Theodore Baskaran (born 1940) is an Indian film historian and wildlife conservationist.

Title

History Through The Lens : Perspectives on South Indian Cinema

Author

S Theodore Baskaran

Publisher

Orient Blackswan Private Limited

Number of Pages

130

Language

English (US)

Category

  • Film
  • First Published

    JAN 2009

    Theodore Baskaran weaves the magic and matter of South Indian films into a rich tapestry of readable essays. They cover such topics as early cinema in the south, trade unionism in South Indian film industry, and the need for historicizing southern cinema. Baskaran also investigates how Tamil cinema is struggling to get free from the legacy of company drama and the persistence of stage features. While his sharper focus rests on Tamil cinema, this collection will interest historians and students of Indian film, and the general readers who look for a sprightly introduction to the world of South Indian films. Chapter titles include. Cinema as a source material for history, Cinema house as public space, Adaptations from literature.
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